Got children? Read this for a head start in music education………

First, a little history. I grew up in a small town. There was no singing teacher, but there was a piano teacher. My grandmother was the local church organist. My mother was a fluent piano player (reading chord charts) and playing by ear.

As a young child our family would regularly gather at Grandma’s house and sing old songs like By The Light Of The Silvery Moon, or Won’t You Come Home Bill Bailey, or I’m Looking Over a Four Leaf Clover. The list goes on forever, and that’s where I developed a true love for singing………..just for the joy of it.

I started piano lessons around the age of 5 or 6. It was easy and fun in the beginning. It grew harder as I got older, and I can still remember in Grade 5 Grade School when I asked my mother if I could quit, and she said “no”. She said, ” you are too young to make that decision on your own. I want you to continue until you finish your Grade 8 exam”. Well, that’s what I did, and no more. It wasn’t easy, and I’m not going to say it was fun, but I developed a strong sense of responsibility and discipline along the way.

During that same time, however, I was learning to chord on the piano to accompany my singing, the same way my mother and grandmother did. They showed me everything they knew. By the age of 13, I started a 4-piece band with my 11-year-old sister on drums, and a friend on bass, and another friend of guitar. We weren’t very good. But oh, how I loved to just sing and chord on the piano.

We continued to do that for, I think, two or three years, and we got better! We performed at local church gatherings, and wedding and baby showers. I remember the matching halter tops we had with flare black pants…yes, we had to have the same outfit!

The experiences and songs I learned to play in that band were the stepping stones to my next band when I was just 16. Everyone else was over 20…….I had to sit in the back when we played our music at the local tavern.

So, enough about my background. But, what I want you to remember here is that I DID NOT LIKE MY PIANO LESSONS. I managed to get through the sight-reading, etc., mainly because I was a responsible young person, and my mother wanted me to. Well, thank goodness I did! I would never be where I am now if I hadn’t learned how to sight read classical music, and achieve at least my Grade 8 Royal Conservatory piano. (I’m now in the process of trying to convince my 13-year-old daughter to do the same, ha ha…..She plays her Grade 4 exam in less than three weeks…..wish us luck! I feel like it’s me preparing for the exam!)

Anyway, back to the subject on hand……….Music for Young Children. What is it? Well, it’s a piano-based music program that involves the parent and child. I truly believe if my mother had been involved in my piano lessons growing up, I would have had no complaints. But she wasn’t. She would tell me to go practise before dinner, but she really wasn’t involved. She didn’t know what scales or triads I was suppose to practise each week, and she only knew the song I was working on because she had to listen to it over and over. To make matters worse, the piano was in the basement, (which was cold and lonely), and she was usually upstairs in the kitchen making supper. Well, I’m proud to say that that is nothing close to what my daughter is experiencing, however tortuous she thinks her piano practising is! Our piano is on the main floor and I can see her from my kitchen as she practises her arpegios and triads. I can talk to her and tell her how great she is doing, and ask her to do more!

My daughter is a lot like me. She loves to sit and tinker at the piano………she’ll practise chord playing and sing to her favourite songs all day long….but won’t budge to practise her scales and triads on her own without being asked.

However, my daughter has the best of both worlds, although she doesn’t realize it yet. I had the best of both worlds as well because I had my mother and grandmother to teach me ear-training and chord playing, and show me my true love of music.

In Music for Young Children, kids get to learn chord playing as well as ear-training, and of course, sight-reading. That’s right! Song like Jingle Bells, Hot Cross Buns and Mary Had a Little Lamb are just a few examples of the songs that are played with left-hand chords in MYC. Children learn harmony right away. We sing these patterns, we play these patterns, and we understand these harmony patterns as chords. What a fabulous way to teach children!! It’s easy, it’s fun, and especially useful in the 21st century where music is made up many genres of music where ear-training is essential….not just sight-read for classical study.

As I said children learn to sight-read too, of course. However, we don’t learn by remembering rhymes like “every good boy deserves fudge”…..even though, that’s how I learned the names of the lines and spaces. Instead the young children learn about critters who have names in stories that match the keyboard and staff. These stories are so fun and easy to remember. Even the big kids like the stories. It makes it so easy for them to remember the notes!!

I’ll write again soon about the Music for Young Children program. It’s available worldwide, and it’s a fabulous way to teach your child the language of music. You can find a teacher in your area here ….. www.myc.com. Susan

p.s. Did I mention that the kids learn how to compose? They also learn how to read rhythm ensembles! There’s more……..but I’ll save that for another post!

You have to back up…….you missed a turn….

That’s right. Some singers have to back up.

Why? Because less is more.

What? Because, singers, if you take this turn, there is a faster way to your destination.

Yes, even I back up. Quite often actually.

OK, let me explain.

I performed today at my uncle’s funeral. I sang You Raise Me Up. It went reasonably well, although my family said it was perfect. It was beautiful they said. Well, they have to say that, right? They’re my family.

Am I a perfectionist? When it comes to singing, YES! If I’m going to teach it, then I had better be able to do it damn well!

Today was a test, a sort of challenge, to see how well I could perform under stress.

Yes, I was stressed, and emotional. I felt like my stomach was in my throat! By that I mean, I was not relaxed, even though I wanted to be, and I was breathing very shallow, and unable with ease, to hold a breath deep within.

What happened? Well, I noticed a few things. First, I noticed that I was running out of breath with each phrase….at home I can do two phrases in one breath!! I also noticed my left foot was trembling and I couldn’t stop it! And, I wasn’t looking at the audience. I had my eyes fixated on a pew, unable to disconnect myself from that to look around at my audience. And, I had this unfamiliar (yet familiar) fast little tremelo in my voice at the end of each phrase. I tried so hard to control this, but my breath support was so “not there” that it seemed impossible. To make matters worse, I could barely hear myself or my keyboard, (which were both plugged directly into a floor access to the sound board at the back of the church being run by a helper). I then quickly wished I had taken the time to set up my own amp and microphone.

What did I do? Well, I quickly thought…..S—, this can’t be happening! I feel out of control!

There were some good things. Firstly, I knew my song inside and out. I had no issues with remembering the piano notes/chords, song format, words………they just fell into place like tying my shoe. Also, I had no issue expressing myself. By that I mean, when I sing, I easily sing from my heart. (It’s kind of like finding it easy to stand in front of someone completely nude)……..ha ha! Well, in fact, I find it a lot, I mean A LOT, harder for me to stand in front of someone nude, than to sing from my heart. Not sure what that says about me………but that’s the truth!

OK, back to my point. What did I do?

In an effort to relax, I quickly stopped trying. Yes, I stopped trying. I let my volume come back to a very comfortable place where I felt like I was singing to myself in my livingroom. I couldn’t hear myself in the speaker system, so instead I focused on what I could hear……..from me…..directly from me. This all happened within the first two lines of the first verse. I quickly assessed that things were not “comfortable” …. my voice was not “controlled”, and decreasing my volume gave me an instant sense of control. It was still the verse and the notes were relatively low, so that control was very helpful when I approached the chorus. In the chorus, I tried to sing with intensity without volume. It was a balancing act (and it always is) to achieve the correct amount of air release with the maximum amount of support I was able to achieve at that moment.

This balancing act went on through the first chorus. No one knew what I was experiencing………only I knew that I was trying to establishing the perfect volume condition with which my vocal cords and breath support could handle my voice at that given moment.

What amazing, is that once my voice started to feel “controlled” and manageable, I realized I was starting to relax…..my breath support was increasing as my breath intake was able to go much deeper!

By the second verse I was crooning. It was a cycle. The more I established a balance of my volume with my breath support, the more at ease I was, and then I was able to settle into a rhythm that had me belting out the finale of my song with good volume and good support.

All I can say is thank goodness not many songs require your maximum “control” as soon as you leave the gate.

Singers, what I hope you take from this post, is that not every performance is going to be the same, and you need to have a strategy to be the best you can be at any given time. When you know you are not up to par, such as having a cold, or feeling emotionally unwell…….my recommendation is that “less is more”. Back up the volume and etablish your control. You can still sing intensely and be totally engrossed in a song without all the volume. Try it……you might like it.

Comments are welcome. Go ahead, share your experience or question. Susan

How to know if your voice lessons are working….

So you’ve been taking lessons for quite some time, and you are not sure if it’s worth it. It costs a lot of money, and you cannot tell if it’s worth your while.

Here are a few suggestions to help you determine progress. Make sure lessons are recorded and dated so you can go back and compare.

1. Listen for the breath in your sound production. You should be less breathy in your exercises now, compared to the first few months.
2. Listen and compare the tonal quality of your low notes up to your high notes, and back down. Is your sound more “focused?”
3. Consider whether you are running out of breath when vocalizing? Is it different now from the beginning? You should be finding it easier.
3. Are you “mixing” in the middle? In other words, are you able to go from the bottom of your range to the top of your range without a “battle” or sensation of flipping in the middle? Compare this to the first six months of lessons.
4. Do the following test. Sing a comfortable note in your low range. Can you increase the volume without involvement of throat, neck, jaw or tongue, and just have the sensation created by the breath pressure you are creating? Do the same thing for a high note? Can you get a sense of the acoustic space you are creating while doing this?
5. Did you know it takes much longer to strengthen the high part of your voice compared to your low part. Specifically listen to the differences in your high notes when listening back to old lessons. Are you clearer and stronger sounding?

These are just a few ways to know if your voice lessons are working.