Singing well is a balancing act.
Is your pendulum leaning to chest resonance or head resonance.
Or, is your pendulum nicely balanced in the middle with a nice balance of “split” resonance.
Mixed resonance
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Tag Archives: balance
Position of the larynx
Speech Level Singing has been given a bit of a bad rap when it comes to the position of the larynx. Let’s review.
First of all, our larynx has a default position when we speak. Everyone is different. My larynx rises ever-so-slightly when I speak. I just happen to have a slightly “twangy” speaking voice. I can speak (and sing) with my larynx lower, but that is not my “default” position or my most-natural position.
Some people incorrectly think that Speech Level Singing demands a “low” larynx. This is not the case. SLS simply achieves a larynx that is “neutral” when singing….in other words not too high, and not too low.
I think this is a great way to train the voice. Good singing starts with balance. Balance is the ability to sing your entire range with a relatively neutral larynx.
Then comes style and your signature sound. And, yes, your larynx will rise a little when you belt.
Singers, you have a choice!
Times have changed, and they are going to continue to change for singers. This is a great thing! Singers now have a choice!
Gone are the days when there was one, and only one, way to train the voice. There was traditional voice training, and there was traditional voice training! You could go to university and develop a beautifully resonant head voice that soared through arias. Or, you could go to a private teacher, who either learned the same way, or taught what worked for them.
Traditional voice training was developed for traditional European music (where a singer had to be heard at the back of the concert hall with no microphone), but this type of projection was not what rock’n rollers and contemporary singers needed to help them sing better. Most traditional voice teachers considered these modern types of singing (which was predominantly a thick fold/chest voice coordination) wrong and damaging to the voice.
We now know this isn’t the case. Certainly there are limits to what the voice can do (in any coordination), but making unique and different sounds other than traditional classical, choir-like sounds is not always damaging to the vocal cords.
Seth Riggs was a pioneer in developing a vocal technique that strengthened the bridges in the voice and encouraged transitioning through the registers. No more vocal breaks. Hallelujah! This technique balanced the singer’s voice so they could sing whatever genre of music they wished.
Some teachers are now helping singers who want to make even more extreme sounds. Resonance and bridging is fundamental in these music genres to ensure the singer maintains a healthy larynx.
Singers, what do you think? Have you found freedom and balance in your voice, while at the same time you’re able to make sounds you are happy with?