Tongue out and hum exercise

My last post was about the tongue and how it can get in the way when you are singing.

When you let your tongue hang out over your bottom lip, it cannot interfere with the back of your throat and stop you from mixing. This is a great way to exercise your voice, although you can look pretty silly doing it!

Try this: Choose a song where the highest pitches are above your passagio….(for women that is A, B flat, B or higher, and men that is E, F, F# or higher).

Let your tongue hang out and hum your song.  If you feel strain in your throat while humming the highest pitches, then lighten up. Try again with less volume.

If you feel the need to “flip” or “let go” in order to achieve the highest notes without strain, no worries! You are now in your head register but having trouble keeping the cords connected as you ascend in pitch.

With careful attention to the engagement of your body (from the top of your stomach and down…including your back and buttocks), and also attention to how loud you are humming your song, you should be able to hum your high pitches without disconnecting the cords (falcetto).

Once you have found this balance where you can hum your high pitches while keeping your vocal cords connected, it is time to allow some of the sound to come out of your mouth. Do not move on to the next exercise unless you can indeed hum your entire song with your tongue out….even if it appears to have no power or substance. If you do this exercise regularly with your songs, your cords will get stronger and allow you to hum with more pressure (volume).

There is more to tell about this delicate yet fascinating exercise. Stay tuned!

 

Tilting is good, rising is bad

The ability to tilt the larynx happens at the thyroid cartilage and the cricoid cartilage (in the larynx) which are connected at the cricothyroid joint. There is a space in between that can be either open or closed. Tilting happens when the space is closed.

Working on the ‘ng’ sound through your break will work the small muscles that tilt the thyroid cartilage. If you are breathy as you ascend through your bridge, then you need to practise the thyroid tilt daily.

Another great sound that helps tilt is the puppy dog whimper. Again, key is ascending upward through your passagio without getting louder. (Use your breath control and body anchoring from your neck down to try and achieve this sound).

How did it go? Can you do it?

Enjoy the journey……

Learning to sing better doesn’t happen overnight. Once you make the decision to improve your voice, it’s very much like commiting to go to the gym regularly. Except you commit to vocalise regularly. How and what you vocalize is important. There is lots of free information online to help you, if you know what you’re doing. However, one of the biggest mistakes singers make is singing “too big” too soon. In other words, singers need to learn to not push to make the sounds they want, but instead get very familiar with their head voice and the coordinations that are necessary to increase power and strength in the correct way. This isn’t the path that the amateur singer is naturally inclined to take. Most singers want to work their voice from the bottom and go up, instead of from the top and go down. This can cause problems if you do not know how to bridge through your 1st passagio. However, in saying that, there are some singers who have opposite problems, and in fact need to work from the bottom and go up.

So, take the time to learn about your unique voice and the proper ways to train your unique vocal habits. Learn what your passagio is, (there is more than one, but let’s start with the 1st one!), where it is, what it feels like, and why it causes so many singers such havoc! Then, figure out how to get through it correctly to make some fabulous sounds!

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