Why Can’t I Sing In Tune?

There are basically two reasons why a singer can’t duplicate the pitch that he hears?

Firstly, the singer has an “ear” problem. The singer cannot duplicate the sound he is hearing because he does not know if he is on pitch. He has not (typically) practised this from a young age and has developed no point of reference. The singer has not imitated sounds requiring the vocal cords and pharynx to adjust to different pitches. The singer cannot associate the pitch he hears with the coordination that his vocal cords need to make to duplicate the sound. This problem can be fixed with “ear training” exercises, and methods such as Kodaly and solfege.

Secondly, a “technical” problem. Usually this is evident with singers who sing louder as they ascend in pitch .The singer knows it is the wrong pitch but doesn’t have the control to fix it. This is especially evident in singers with the inability to decrease volume at a high pitch. This problem can be decreased with the help of a good singing teacher.

Do you have trouble singing by yourself “on key”?

Do you love to sing with the radio or CD, or at church with the congregation? Do you find singing is easy as long as there is someone to follow? However, do you lack the confidence and ability to sing on your own, such as solo in the choir or on your own at a karaoke bar?

If this is you, you are not alone. In fact, you are part of a large majority of people. Singing can be easy as long as you don’t have to do it alone. There are steps that can be taken to strengthen your ability to sing on pitch by yourself, while at the same time coordinating your overall singing voice with flexibility and balance. This in turn builds your confidence to go on and tackle a song all on your own.

This needs to be done with a vocal coach. It’s difficult to correct your own pitch without someone helping.

Ear training and repetition are the foundation for pitch matching. You need to start close to the pitch of your speaking voice. This is called your “home base”. This will be your reference point at which you can return to as you learn to match higher and lower pitches. Once you can sing back your home base pitch easily and consistently, then it’s time to move to short scales. Depending on your ability, you may start with 3 note or 5 note scales, ascending and descending. Every singer is different. Again, this should be done with a vocal coach.

Lessons should be recorded so you can revisit your “home base” daily for practise. This is necessary so the brain can remember and the vocal cords will learn and memorize the coordination needed to match pitch.

A male voice will probably match easily at F or G below middle C. That’s a good place to start. Your coach should know that as you sing higher it becomes more challenging because your voice has to shift gears to handle the passagio around E flat. Therefore, all training in the beginning should stay below this bridge. For female singers this first passagio is around G or A flat above middle C.

Along with repetition of short scales starting in the home base area, your coach should be doing some ear training exercises where you need to listen and say whether a note is higher or lower than the one played.

With perservence you can learn to sing on your own with good pitch. I have helped many dedicated adults who always wanted to sing, but never felt good enough to sing on their own. These exercises build their confidence as each day they are able to find home base quicker and easier than the week before. They are able to memorize the melodic exercises of steps and jumps which soon turn into songs.