Too perfect?

I have a female client who has been training with me for the past year. She has lovely sound. A very pretty voice.

However, she is not happy with her sound. She wants to sound more like a radio singer (she names examples likeTaylor Swift, Kelly Clarkson, Pink, Rhianna).

This young lady had previous classical singing lessons. Her breath control is wonderful. Her head resonance is crisp and present, and her glottal onset is precise and clean……so beautiful, so lovely………and she hates it.

This young lady is so well trained that she is having trouble undoing her perfect classical sound.

What can she do to sound more contemporary?

1. Change the vocal cord set-up. She currently has a seamless onset where her breath and cord closure meet with smooth connection. There is not much edginess. We have been working on her “speech level” closure in her chest voice with wide vowels.

2. We have been working on changes at the vocal cord level in her speech level chest voice. She is doing exercises that keep her in stronger mix of chest voice versus head voice with lots or oral twang and mouth resonance.

3. I have suggested listening and copying other singers. One of the best ways to explore and grow your voice is by trying new co-ordinations. When you do this, you need to pay special attention to how your throat feels. It should never hurt, but the co-ordinations may definitely feel “different” from what you are familiar with.

Questions? Comments? Please leave a message below.

 

How to get a “mixed” voice

 

Everyone’s voice has a low section and high section. The low end is your chest voice and the high end is your head voice. The essence of good singing is utilizing both the chest voice and the head voice at the same time. This is called your “mixed voice”. Make sense?

Your chest voice is where you speak. Try saying “A – A – A” like the “a” in cat. Say it with some umph, and a little bit nasty. Make an open big mouth and say it again. This is your engine….and yes, it can sound rather obnoxious. But, don’t disregard this, this is your power house!

On the other end is your head voice. This is the light, airy sound at the top of your voice. Some people can’t access it very easily. Try and do a sigh with your light high voice. This is head voice.

The ideal voice is when the chest voice and the head voice work together at the same time. Unfortunately, often what will happen is one voice will “outweigh” the other, creating an imbalance of sound and sensation.

If you have any background singing with a choir or training with a classically trained teacher, then you were probably encouraged to sing with your head voice brought down even to your low notes, This can create a very strong head voice, but unfortunately doesn’t match up in balance with your chest voice, leaving you light and airy on your bottom notes with minimal strength.

On the other end of the spectrum, if you have been singing pop, country or rock music on your own and copying some “not-so-well-balanced” singers, then you may have developed a strong chest voice without allowing any head voice in the mix. You may notice that you have to sing louder and louder as you go higher and higher, and eventually you just can go further. Your sound is likely harsh and well, possibly, very annoying. And, let’s not forget to mention that you probably hurt!

“Getting in the mix” is the vocal workout you need. If done correctly, it will help your voice be stronger and more flexible than you ever thought possible. You will be able to sing any note you want.

It worked wonders for me, and I know it will for you too!

Have you got any questions? Why not drop me a line!