Author Archives: Susan McAllister-Bee

You can control your larynx!

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Your larynx is your voice box. It houses your vocal cords. It’s situated in behind the Adam’s apple which is that bump you feel in your throat…you know, the bump in your neck that is usually larger on a guy than a girl.

Good singing technique requires that the larynx remains low and stable. So go ahead and try this.  Put your finger on your Adam’s Apple while singing and see if it is rising when you try to sing high notes. In many singers it does go up….way up! The problem is that when your larynx rises too high, it closes off your wind pipe which is, in fact, blocking your vocal cords! This is the last thing you want when singing.

This is what is meant by singing with an open throat. Good technique is having the ability to sing while keeping your larynx in a low and stable position.

The “Mariah Carey” Voice

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Mariah is a fabulous singer! She can do acrobatics with her voice! She has managed to sing strong and consistently for over two decades while enduring the typical stressful life indicative of a top-selling recording artist in the 21st century.

Even a balanced voice like Mariah Carey’s can run the risk of vocal damage such as nodes and calluses when over-used. No “one” voice is perfect all the time, and no “one” singer will exhibit the same limitations of what can be done with their voice at any given time. Every instrument is unique and different, and will change daily with the conditions that are present at that time.

Does that mean a singer shouldn’t sing or talk when they are not at their absolute best? Well, yes, I suppose it does. But how is that possible? If singing is your living then you have a job to do. How can you possibly stop talking and singing when you feel the slightest problem arising in your voice? You must do your job and that means using your voice.

Bottom line is a singer needs to know their instrument, and how to keep it healthy and working when it needs to. Planning ahead and scheduling time off for recouperating is imperative in this music business. Keeping the body healthy and getting enough sleep is a must. Knowing how to vocalize daily is crucial. Singing is tough business.

That being said, we can’t expect famous singing voices to never show a sign of wear & tear.

And what about the fact that the music business actually puts voices that have a “wear & tear” sound on a pedestal! What is a singer to do?

Self-awareness is key. That is why I teach about the middle voice with special attention to bridging (mixing) at the first passagio. When singers learn how to control their breath, master their natural tone and resonance, and establish their baseline volume, they can avoid many problems that come with over-singing.

 

Singers, stop shouting!

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Yes, I know you like that strong powerful chest sound, but there is an easier way to get it!

Try this. Pick a song you are working on that has you singing louder to hit the high notes. It’s usually notes in the chorus…correct?

Next…sing the song starting at the chorus. Find the volume where you can handle all the notes in the chorus without flipping into your falcetto. (This is your mixed voice!) If it is straining you in the throat to do this, then you are hanging on too much. Sing lighter and let go. Again, find the maximum volume where you can sing these notes without flipping.

Try this….sing the entire chorus with nay, nay, nay. Feel the presence of resonance in your head and nose area. Now, sing with the words.  Did you need to decrease your volume? This is the volume you need to stay at. This is the max for now. (until you become a better vocal athlete!)  Now, sing the entire chorus at this volume and coordination.

Now, you need to back-up. The volume of your verse needs to be in sync with the way you just did the chorus. I don’t mean the same volume…I mean the same coordination. You need to match the intensity, and sing at the volume that matches what you just established at your maximum volume for the chorus. It will likely take very little effort to sing the verse. However, make sure you are singing it with the same “feel” and coordination you had when you sang the chorus. Don’t “fall” back into your old spot. Remember the coordination you just worked on in the chorus.

It’s very easy to slip out of this “mode” and fall back into your original “only-chest” set-up. Don’t do this! Sing the entire verse with “nay, nay, nay” and revisit the chorus just to be sure. If it feels like you are singing through your nose, then make your mouth bigger and enunciate those words. Keep a “smile” feeling in the back of your throat and raise your eyebrows. This might help you keep the “nay, nay” coordination in the verse.

Now sing the words in the verse. This is likely to seem easy and almost boring for you because you are not giving it everything you’ve got! Just remember, you are setting yourself up for success in the chorus!

Still wondering if you’re doing it correct? Check out my audio file at www.soundcloud.com and see if that helps! Good luck and let me know how it goes!

Easiest job in the world?

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I remember my friends saying “Wow, you have the easiest job in the world, singing!” I would think to myself, you’ve got to be kidding. They had no idea the physical effort I was enduring to keep my voice balanced and controlled, and sounding the way it did ever minute of my performance.

Sure, singing isn’t rocket science, but singing well for long periods of time is a balancing act of coordination between body, air flow and the vocal cords. If one of these is out of sync, then something has to give. Usually it’s the throat!

The Middle Voice

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Oh, the controversy! Is there such a thing as the middle voice? Some would argue there is only chest voice and head voice, and a passagio (sometimes called a bridge or a break), separating the two. The chest and head voice get their name from where the voice resonates in the body.  If you put your hand on your chest and speak, you can feel the vibrations on your hand. This is your chest voice. If you leave your chest voice (which some people have a lot of trouble doing!) and go to a high free-sounding place (try the sound woo – woo), then you have found your head voice. Like I said, some people have trouble finding their head voice. Usually, this is men.

I, frankly, love the term middle voice. Since I like to sing music genres such as rock, pop, and country, the middle voice is where all the action is!  For women this is around middle C to high C, and for men this is around G below middle C to G above middle C. You will notice that almost all commercial music falls into this area (and more).

The middle voice is where you “get in the mix”! Again, there is much controversy over this term.

Mixing simply is a term used when a singer has the ability to keep their vocal cords properly adducted as they ascend and descend through their bridges. If you can do this properly, then you will notice a shift in resonance as the sound moves upward from your throat and mouth area into your face and head. Once you have ascended in pitch, it will actually feel like you are singing in your head, but not in a light falcetto airy mode. If you have kept the cords together well, and have allowed the resonance to shift accordingly as you ascended, then you have achieved a good mix. You should feel no strain in the throat whatsoever.

I’m very passionate about singers figuring out their mix. Once a singer learns the “feeling” and “coordination” necessary to be in a good mix, then they can work on building strength, endurance and enhancing tone.

Visit me at www.soundcloud.com for vocal exercises to help you “get in the mix”!

 

 

Singing technique for children

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Children deserve the right to explore and learn about their voice just as much as teens and adults. Don’t you wish you had more direction with your voice when you were a child? I know I do. Children learn to speak by mimicing what they hear, and children can learn to sing by mimicing what they hear as well. However, listening to commercial/contemporary music is not the answer. In fact, this is what causes many young singers to run into poor singing habits.

How we sing can be a direct result of how we speak. Vocal habits (good and bad) are developed early in childhood, and can be carried on throughout a lifetime. Many factors influence the speaking habits of children, such as coping with asthma, allergies and reflux; genetic factors such as the shape and size of the vocal structure including the mouth, throat and jaw; social components such as whether a child lives in a busy and loud household; and what about the child who attends sports events and has developed the habit of shouting and yelling.

Parents need to be made aware. A child’s voice is an instrument they will have for a lifetime. If managed properly from an early age, it will grow and develop into a beautiful, healthy instrument.

In my studio, children are encouraged to sing from a very young age. We make high sounds and low sounds, loud sounds and soft sounds. We learn to hoot like an owl, and meow like a cat. All these coordinations are useful in learning to sing.

Small group settings work well, and are especially fun when incorporated with actions for the very young. It’s important to not make practising sounds a serious task. Most children will simply copy what you suggest and have fun doing it. If this is repeated regularly, their small voices with memorize these coordinations and easily repeat back on task. Pitch is then usually mastered if sounds are encouraged in a consistent way in the same part of the voice every time.

Ladies, I’ve been there!

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While growing up in my small town, I always sang in the church choir. And, there was the school choir as well. I was considered an alto because I couldn’t reach notes as high as some of the other girls.

When I was 12, I think, my favourite artist was Olivia Newton-John. If any of you remember her when she had hits on the radio in the 70’s then you can likely guess how old I am!  Other favourites at the time were Helen Reddy and Anne Murray. I also loved The Captain and Tenille and Linda Ronstadt. Oh, and how can I forget The Carpenters! Oh yes, they were my absolute favourite!

So, during the day I was a choir singer and at night I was a pop singer! It didn’t take me long to start noticing that I was singing two different ways with two different voices! I went on doing this for years!

I joined a band when I was 16 and we toured around the towns in my local province. At times I would have trouble hitting the high notes the way I wanted to, and sometimes it would be so difficult that I would go hoarse, or actually lose my voice, by the end of the night.

This never happened when I was using my “other” voice. You know, the voice I saved for Sunday and the school choir.

In my 20’s and 30’s I took loads of singing lessons from a variety of teachers. I went on to achieve my Western Conservatory grades. You know, the songs where you sing in every language but your own. I was still rocking out on the weekends with my band. It was a bizzare thing to be singing with two different voices in the same day. I still hadn’t found my true voice.

It wasn’t until I was almost 40 when I ordered an online singing product written by Seth Riggs. OMG, is all I can say! I did these exercises every day and my voice blossomed. No longer did I have two voices but one voice that extended from the bottom of my range to the top of my range. And guess what? My bottom note extended down to E below middle C, and my top note extended to C above high C! I had never before even made a noise on these notes!

The rest is history. I have continued to study and train my voice, as well as helped 100’s of students here in my studio.

I’m in the process of putting singing exercises online at www.soundcloud.com. Keep an eye there for useful exercises that will help your voice gain strength, endurance and power. Please let me know if you have any questions! Susan

Singers, you are so lucky!

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Singers! Do you realize how lucky you are living in the 21st century? Gone are the days when you have to rely and listen to only one opinion or view of a teacher/professor, and what they recommend for your voice! You have access to tons and tons of information online about the voice and the various ways to learn how to sing. Get informed. Learn what you want for your voice, and how to get it!

Here are some things to consider:

  • If your teacher cannot make the kinds of sound you want, I suggest you go elsewhere.
  • If your teacher does not know EXACTLY where you passagi/bridges are, then I suggest go elsewhere.
  • If your teacher is teaching you to sing classical or Broadway, and says you can use this coordination in any style, then see if you can. If you can’t, and they can’t help you get the sound you want, then go elsewhere.
  • If your teacher is telling you the sounds you are making are wrong because they will damage or hurt your voice, and only wants you to sing in a classical coordination then go elsewhere
  • Watch out for teachers who only teach chest voice….yes, there are coaches who simply teach you how to sing loud and shouty as you ascend in scale. Can they sing clear and connected on a high note without shouting?
  •  Watch out for teachers who only teach head voice or chest voice separately as two different sections of the voice. If your teacher doesn’t understand about how to teach and connect the middle area, then I would definitely go elsewhere!

Online Singing Products

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What bothers me most about online “how to sing” products is the fact that every singer has a different problem standing in the way of the voice improving. Ideally, a singer needs to know what that problem is so they can focus on the right coordinations. Usually, a singer has more than one issue to work on, but again the correct exercises and doing them correctly is the key to quick improvement.

Let’s face it….why would you go to the gym and do squats if your thighs were already big and strong. Balance is the key, and the path to getting balance in the voice isn’t always straight-forward.

I’ve started to post some exercises for different voice types and issues at www.soundcloud.com. If you have any questions about the exercises or your voice, why not drop me a line.

Just Do It!

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I can’t get over it when students come back week after week saying they didn’t have time to practise much during the previous 7 days. I think to myself, my gosh, you are carrying around your instrument inside your throat everyday, how can you not find time to practise it? I remind them they do not need their recorded lesson in order to practise. I show them how to exercise their voice without any background scale.

Sometimes what I hear is, “oh yes, I sing everyday”. Then when I get them to clarify what they mean, they say “I sing to the radio, or in the shower, or at karaoke, or with their band”. Again, I remind them that that doesn’t count. Practising/vocalizing means doing the exercises that have specifically been assigned for your voice to get better. I remind them that singing songs as usual can, in fact, do the exact OPPOSITE of vocalizing properly…..it reinforces your usual coordination that we are trying to improve!
I stress this because so many singers, (and not just kids and teenagers) seem to forget, day in and out, that if a better voice is truly what you want, then you need to follow the disciplines assigned to get there.

Learning to play the piano or guitar well doesn’t just happen without daily practise and attention to detail, and learning how to sing better is no different….except in one very important area….you can’t carry your piano around in your throat!